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While Stormfront was cooked and charred by the episode's end, and mumbling in German, she wasn't definitively killed off. The golden rule of television is no one's dead until we've seen their body. Now her head-exploding identity has been revealed, what will Neuman do next?
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Let’s go through each major moment and how it could affect the show moving forward. The Boys season 2 ending explained: your biggest questions answered The culprit? Neuman, whose eyes turn a milky-white, revealing she’s a Supe with the power of making people’s brains go pop. Once he puts the phone down, however, his head explodes – much like CIA Agent Raynor and several during the Vought hearing. …which could be very interesting given the late twist: Church of the Collective leader Alastair Adana takes a call from Neuman in the hopes of allying with the congresswoman. Hughie, meanwhile, awkwardly re-affirms his commitment to a relationship with Starlight and pledges to join Victoria Neuman’s political staff… Ryan is taken away by Mallory’s men, presumably to go and live with another family. Kimiko and Frenchie celebrate by going dancing, Mother’s Milk returns home to see his daughter, while Butcher simply walks away from Mallory – potentially to deal with his grief at the loss of Becca, but also to perhaps go in hiding from Vought after reneging upon their deal. The Boys, meanwhile, are cleared of all charges and no longer have to hide out in secret. The Seven – with a returning Homelander, Maeve, Starlight, and A-Train (but not Deep, who the Church couldn’t find a spot for) – put on a united front at a televised press conference and Stan Edgar blames the dead Stormfront for all the head exploding attacks Maybe Season 3 will be Shiv’s redemption arc.The Boys season 2 finale includes a scene originally banned from the first season He’s “not a hippie” looking for three-ways with his wife and, you know, it is pretty janky to spring an open marriage as a fait accompli on your wedding night. At least he loves her.
Power season 2 finale review series#
After committing a series of strategic errors because she wanted Logan’s public approval (in the shape of the CEO chair) so desperately, she also tampered with a witness because-best-case scenario-she delusionally believed in her own future power. She ended the season by betraying her brother Kendall, and being so cruel to her husband that she made him-the deranged gas bag Tom, the guy who uses other people as a footstool-look emotionally sensitive. Formerly the sane-ish, decent-ish Roy, she flushed her strategic skills and vague vestige of morality down the toilet by reversing her lifelong course of distancing herself from her father. Though she went into Season 2 as the crowd favorite, one of this season’s major storylines has been the degradation of Shiv for exactly this reason: She keeps walking closer. To protect himself, Tom will later eat a piece of Logan’s chicken, a territory-pissing announcement of his unhinged nature that Logan sees as some gauche breach of decorum-way weirder and worse than, you know, gathering people in paradise for a show trial. The group ultimately gangs up on heinous buffoon Tom Wambsgans (Matthew Macfadyen), who is almost family, but not quite family, as his wife, Shiv (Sarah Snook), notes, and so is the perfect consensus fall guy, even to Shiv. Pathetic Connor (Alan Ruck) offers to sacrifice himself but has no takers. The non-family members of the team run one another down first, but none of them are bold enough to point fingers at actual Roys. Logan Roy (Brian Cox) begins the conversation by “suggesting” it should be him who takes the blame, which no one can do more than half-heartedly pooh-pooh, because it’s a half-hearted suggestion.* Instead, as in all meetings with Logan Roy, everyone is triangulating. None of the blood Roys are ever seriously considered for sacrifice. The pretend vacation culminates in a bravura scene at the breakfast table that’s a traffic jam worth rubbernecking: Everyone gets tossed under the bus. Everyone gets something delicious to do and say-“Greg Sprinkles”-even as the sequence makes a joke of everything they are doing and saying: The conversation is a farce.